What's it all about?

The main notion of this blog is to write about scripts, movies and games. I'm a very creative individual and I heard that creating a blog is a good way to express opinions on the things we love and hate. I want this blog to be interesting and constantly updating- a 'sort of' second CV, if you will. Wish me luck and let's see what happens.



Monday, 31 January 2011

Sample Script 2- Johnny Bastion

This is a sample of a bizarre script I wrote during a mad two months of my life- It's about a time-travelling 1950's movie-star named Johnny Bastion who ends up finding perfect solitude in present day San Francisco. I love conversations that are unnecessarily long without boring the audience...here's my attempt.

Johnny knocks loudly on the door, then enters. Charlie's room is pitch black.

BASTION
Charlie, Charlie! Is this your room?

CHARLIE
(painfully blank)
Yes.

BASTION
I've got something to tell you.

CHARLIE
Who are you?

BASTION
It's me John.

CHARLIE
I know I'm joking.

BASTION
Charlie, Amanda is here to speak to you.

CHARLIE
Shit. Tell her I'll be up in 5 minutes.

BASTION
Shouldn't keep a woman waiting, Charlie.

CHARLIE
It's okay, she's my sister.

BASTION
Your sister?

CHARLIE
Yeah.

BASTION
Well...you still need to get up, but take your time.

CHARLIE
Leave Amanda alone.

BASTION
Is she married? In a relationship?

CHARLIE
No, leave her alone

BASTION
I'm cooking breakfast so get up.

CHARLIE
You're cooking breakfast?

BASTION
Yeah.

CHARLIE
Cool. What kinda breakfast?

BASTION
Bacon and eggs, maybe toast.

CHARLIE
I don't have any bread.

BASTION
Just Bacon and eggs, then.

CHARLIE
That's awesome, thanks man. Beats cereal for a change. Can you brew some coffee too?

BASTION
Are you gonna get up?

CHARLIE
(painfully blank)
Yes.


Script Sample 1: The Hellbenders

My remake of a classic Spaghetti Western

The Officer gets down from his horse and strolls to the back of the rig. He opens the door- A coffin lays inside with a Confederate flag draped over the top. A grey hat and sabre rest on top. Ben approaches the officer.

BEN
(Pointing to the coffin)
This is her husband- Captain Ambrose Allen.

The Officer looks up at Kitty- She's clad in black with a veil covering her face.

OFFICER
My condolences, Ma'am.

BEN
(Shutting the rig's door)
He died at the battle of Nashville.

OFFICER
Nashville? That was months ago.

BEN
He was buried on military ground. But now Mrs. Ambrose Allen's got a permit to dig him up and bury him on her ranch.

OFFICER
Where's your ranch?

KITTY
New Mexico.

OFFICER
That's quite the trip, Ma'am

KITTY
It's what he would have wanted.

OFFICER
(Addressing Ben)
You her son?

BEN
Me? No. She's hired my rig to do the carting. I never met Captain Allen; but I have heard through Mrs. Allen that her husband was quite the hero among his men. It's a crying shame.

OFFICER
(Pointless guilt)
Well, the wars over now.

The Officer mounts his horse.

OFFICER (CONT’D)
New Mexico's along way off, and you've got a lot of miles to cover. Godspeed, Ma'am.

The two riders return to the convoy, words are exchanged and the trail starts moving again.
The performance is over Mrs. Ambrose Allan becomes Kitty again.

KITTY
You her son? You her son!? The nerve. Am I looking old to you?

Kitty leans into the rig and pulls the flag off the coffin. She casually opens the lid of the coffin and pulls out a liquor bottle.

KITTY (CONT’D)
(Pulling the cork from the bottle)
He said it so I could hear it too... Bastard.

BEN
Quit boozing; you'll look plenty younger.